Taught at Middlesex University, School of Fine Art.
During that period I established an outreach Urban Studies Centre – and also a BA Hons programme in ‘Art Practice and the Community’.
Since leaving the University I’ve worked as:
A development worker within a Lottery funded Reminiscence project.
A tutor within the Arts & the Learning City programme – attached to a London Somali women’s consortium.
A tutor within the Learning & Skills Council – developing print workshops for adults experiencing mental health issues.
A print tutor attached to a Mental Health Recovery Centre.
I exhibit regularly:
For example:
Pleven Small Print International – Bulgaria
Szekerland Print Triennial – Romania
Belgrade Print Triennial – Serbia
Cacak Print Triennial – Serbia
Cantabria Mni Print – Spain
Kazanlak Mini Print – Bulgaria
Barcelona International Print – Spain
Fresno Printmakers Guilds International – USA
GCB Miniprint International – Germany
Trento International Contemporary Engraving – Italy
Bimpe X1 Miniature Print – Canada
I mainly use print as a means of responding to social, political or environmental issues that are of concern or interest to me.

Most of my art practice is related to the reality of living in an urban environment and using print as a way of responding to those experiences, events or issues that arise from that.
Recent themes that I have sought to develop have included – migration – urban development – city living and mental health – the pandemic - conflict situations (as currently represented by Ukraine)
I usually work on a fairly small scale and often develop ideas by combining print with collage or assemblage – sometimes using ‘box’ frames that allow one to combine 2D images and 3D ephemera.
What has always been important to me is the balance of time given towards ‘personal’ work and that given towards communal ‘shared’ art practice. The latter is mainly based in Day Centres, Care Homes or Mental Health settings.
I find that moving between these two areas of involvement helps to give me a perspective upon the overall potential, value and role of art within our society

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Credits : These pictures and article were published by the California Society of Printmakers 2026

When armed conflict exists between two countries, there
is war. In the present battle between Ukraine and Russia,
Ukraine is left disfigured by embedded dragon’s teeth,
scarred with trenches and tank tracks, littered with burned
out vehicles and abandoned military hardware and forcibly
being reshaped by the trauma of invasion. Many of its
villages, towns and cities have been destroyed or used as
pawns in the game of propaganda that accompanies armed
conflict. Large numbers of its citizens have fled and those
who remain have to exist within a constantly shifting
physical and emotional landscape.
The invading force has introduced the organized spread
of misinformation, often using vehicles with loudspeakers
(that local people refer to as zombie cars) and also has
introduced a policy of relocation that brings with it an
attempt to re-educate.
It is estimated that 1.6 million Ukrainians have been
forcibly relocated in this way with some 250,000 of this
number being children. Such large-scale evacuation has
been supported with the creation of filtration camps where
citizens are detained and then processed. This evacuation
or confinement has become normal practice. Other policies
have included the practice of emptying schools or libraries
of books, which are then burned, in an effort to help
eradicate Ukrainian identity. Children and adults sleep
fully clothed, even wearing their shoes, ready to flee at a
moment’s notice. Elderly people remain in some of the
bombed out areas, without electricity, water or gas afraid
to move elsewhere. Some use underground shelters; others
remain in their flats but sleep beside their pet animals
for warmth. The permanence of home, which normally
represents safety or security, has little relevance here.
One citizen described a situation as “Everything started
to crumble and fall. The children screamed. For several
seconds it was like there was silence and time stood still